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“Disdaining the wasteful, elitist space where bands hankered after record-company expense accounts that would pay for hookers and villas in the South of France, Silicon Valley presented itself as the tribune of average-Joe air guitarists who never got their shot at the American Dream. It was easy to stoke resentment against the perks enjoyed by the pros while spreading the easy gospel of democratic cultural production. Every boy and girl could be Virginia Woolf and Keith Richards and David Foster Wallace depending on what day of the week it was, thanks to fun new digital software that ushered in a freshly branded universe of frictionless self-gratification in which all movies and books and music would be free, because they should be free, because they were made to be free, because paying for stuff is an unconscionable rip-off in a world where stuff was meant to be free, and who else does art belong to if not to the people, right? And so, the tech moguls could pose as liberators and revolutionaries who would cut out the middlemen while sucking up the market cap of the music business, the newspaper business, and other sadly benighted industries. The paradoxical result of these acts of creative destruction has been the elevation of a handful of recording artists like Beyoncé, Kanye West, Katy Perry, and Justin Bieber to previously unseen levels of wealth and fame, in the same moment that the product on which their fame is, or was, based—namely, music—has been rendered worthless.”
“So God has never been made. He has always been. Then slowly, with the increase of consciousness, when people discovered that they could make different ideas about the deity, they came to the conclusion that it was nothing but an idea, and they quite forgot the real phenomenon that is behind all the ideas. You see, they became so identical with the products of their own consciousness that they thought they had created him. But such abuse brings about its own revenge. The more people created ideas about God, the more they depleted and devitalized nature. And then it looked as if that primordial fact of the world had only taken place in imagination. Of course, be that process we created consciousness, but we have built up a thick wall between ourselves and primordial facts, between ourselves and the divine presence. We are so far away that nobody knows what one is talking about when one speaks of that divine presence, and if anybody discovers it suddenly, he thinks it is most amazing; yet it is the most simple fact. But we are no longer simple enough on account of that thick wall of ideas; we have so many preconceived ideas about what the divine presence ought to be, that we have deprived ourselves of the faculty of seeing it. Yet the primordial facts are still in the world; they happen all the time, only we have given them so many names that we don't see the wood any longer on account of the trees”
“If you are a dedicated reader in Brooklyn fond of sliding bills across smooth countertops in exchange for tantalizing tomes in independent bookstores, you have probably encountered the Middling Millennials. They are largely white women who are almost totally in the dark about their privilege, many bolstering a blinkered neoliberal feminism that demands a rectifying army of Mikki Kendalls and Djuna Barneses. They often confuse the act of literary engagement with coquettish pom-pom flogging. They are somewhere between the ages of twenty-five and thirty-three and are often found on Tumblr interspersing 'fun facts' and JPEGs with quotes that, despite the lofty intent, are more self-help than literary. These relentlessly unchallenging digital shrines are frequently adorned with a bean-boosting 'THIS' appended to the head of a calcified, well-tread, self-righteous sentiment that is reblogged — that is, if the MMs are not too busy Gchatting with others about the latest literary gossip. Some of the more pathetic specimens lean closer to forty and are often enlisted to interview esteemed authors before a small crowd under the mistaken impression that the interviewer is the center of attention. This group is not to be confused with the fine young minds and respectable hustlers who run and contribute to The New Inquiry, Open Letters Monthly, Jacobin, Hazlitt, Full Stop, HTML Giant, The American Reader, and Triple Canopy (to name but a few), who have all proven to be promising and proficient readers of a wide range open to lively and respectful challenge. To be perfectly pellucid, we are identifying disproportionate tadpoles who respond to any form of disagreement with a knee-jerk 'Dead to me!' block on social media and return to their cheery consumerist chatter, blissfully unaware of greater global problems.”

About The Authors

This page was created by our editorial team. Each page is manually curated, researched, collected, and issued by our staff writers. Quotes contained on this page have been double checked for their citations, their accuracy and the impact it will have on our readers.

Kelly Peacock is an accomplished poet and social media expert based in Brooklyn, New York. Kelly has a Bachelor's degree in creative writing from Farieligh Dickinson University and has contributed to many literary and cultural publications. Kelly assists on a wide variety of quote inputting and social media functions for Quote Catalog. Visit her personal website here.

Kendra Syrdal is a writer, editor, partner, and senior publisher for The Thought & Expression Company. Over the last few years she has been personally responsible for writing, editing, and producing over 30+ million pageviews on Thought Catalog.