Within the profound and shining subsistence of the lofty Light appeared to me three circles of three colors and one magnitude, and one seemed reflected by the other, as rainbow by rainbow, and the third seemed fire breathed forth equally from the one and the other.
Catalog
Dante Alighieri
Durante degli Alighieri (Italian: [duˈrante deʎʎ aliˈɡjɛːri]), simply called Dante (Italian: [ˈdante], UK /ˈdænti/, US /ˈdɑːnteɪ/; c. 1265 – 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. It has been referred to as greatest poem of the Middle Ages. In the late Middle Ages, the overwhelming majority of poetry was written in Latin, and therefore accessible only to affluent and educated audiences. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended use of the vernacular in literature. He himself would even write in the Tuscan dialect for works such as The New Life (1295) and the aforementioned Divine Comedy; this choice, although highly unorthodox, set a hugely important precedent that later Italian writers such as Petrarch and Boccaccio would follow. As a result, Dante played an instrumental role in establishing the national language of Italy. Dante's significance also extends past his home country; his depictions of Hell, Purgatory, and Heaven have provided inspiration for a large body of Western art, and are cited as an influence on the works of John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to hi
I saw faces all given to love, adorned by the Light of Another, and by their own smile.
Upon seeing her, it was like I was hit by a heavy object and I trembled violently.
The moment I saw her, I say in all truth that the vital spirit, which dwells in the inmost depth of the heart, began to tremble so violently that I felt the vibration alarmingly in my pulses.
I see your eyes, I see how they have wept, and how you come retreating all undone; my heart is touched and shaken at the sight.
For, if any one should dress his poem in images and rhetorical coloring and then, being asked to strip his poem of such dress in order to reveal its true meaning, would not be able to do so— this would be a veritable cause for shame.
The image of her when she starts to smile dissolves within the mind and melts away, a miracle too rich and strange to hold.
God has graced her with an even greater gift: whoever speaks with her shall speak with Him.
How can a mortal body achieve such beauty and such purity?
In her salutation dwelt my bliss, a bliss which often exceeded my capacity to contain it.
This most gracious lady of whom I have spoken in the preceding poems came into such widespread favor that, when she walked down the street, people ran to see her. When she passed by someone, such modesty filled his heart that he did not dare to raise his eyes or to return her greeting.
While my imagination was wandering like this, I came to the point that I no longer knew where I was.